2019-08-04 音樂趣聞 瀏覽:2013 次
2019-08-04 音樂會資訊 瀏覽:2014 次
學習鋼琴的過程中,大家總是以追求更難更精彩的曲目為目標,來使自己的演奏與音樂技巧不斷進步與提高。然而,多多少少也有些時候聽到一些曲目覺得簡單好聽,就一併要去嘗試。但是,就有那麼一些作品聽起來很簡單又動聽,然而一旦拿到手上開始練習時真是好難!
1. 巴赫《小步舞曲》J.S.Bzch Minuet (古鋼琴版)
樂曲中間出現了三個聲部,對於剛剛接觸複調的孩子來說,兩隻手彈三個聲部還是會稍稍有些困難,也就是手指不聽使喚:該保持的音會鬆開,該松開的音會一直按著。
其實這個問題不難解決。彈奏前先分析樂譜,找准每個旋律線條,就可以“找回我們的手指”啦。
2. 肖邦《12首練習曲》作品10 第2首 Chopin etudes op.10 no.2
讓人秒變手殘的半音階(chromatic scale)!
普通半音階指法:13123
手殘半音階指法:34345
我們的手指對半音階指法的記憶就停留在常規的13123中,4指和5指用的非常少。所以在這首肖邦練習曲中,4指和5指的頻繁使用讓朋友們在彈奏使痛苦不堪哪。對於不熟悉的指法,我只能說,多練練就習慣啦......
3. 門德爾松《春之歌》作品62 第6首 Mendelssohn Spring Song Op.62 No. 6
聽起來沒什麼複雜的,可是當第一次拿到譜子準備彈的時候,才發現居然有那麼多裝飾音! ! !而且裝飾音貫穿了整篇樂曲,一個不留神就手滑彈錯。小音符也就是裝飾音,看似困難,其實只要每拍節奏卡準就沒問題。訓練眼疾手快的時候到了!
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